Collection

UPHIGH , Canmore Museum, 2024. Right image: Mount Edith , 2023. 36” x 36”, tiled archival fine art prints, hung with magnets.

UPHIGH, Canmore Museum, 2024. Right image: Mount Edith, 2023. 36” x 36”, tiled archival fine art prints, hung with magnets.

UPHIGH , Canmore Museum, 2024. Centre image: Wind Mountain , 2021. 48” x 60”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. Centre image: Wind Mountain, 2021. 48” x 60”, tiled photographs on hardboard with epoxy resin.

Exhibition poster.

Exhibition poster.

Local newspaper article.

Local newspaper article.

UPHIGH , Canmore Museum, 2024. Centre image: Mount Arethusa , 2020. 48” x 48”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. Centre image: Mount Arethusa, 2020. 48” x 48”, tiled photographs on hardboard with epoxy resin.

The Fortress , 2022. A 96” x 96” composite made up of 48 archival matte prints, assembled with magnets.

The Fortress, 2022. A 96” x 96” composite made up of 48 archival matte prints, assembled with magnets.

UPHIGH , Canmore Museum, 2024. 4 - 24” x 24”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. 4 - 24” x 24”, tiled photographs on hardboard with epoxy resin.

UPHIGH , Canmore Museum, 2024. Left image: Little Fortress 2023. 10” x 30”, tiled photographs on hardboard with epoxy resin. Right image: The Fortress (from Gusty Peak) 2021. 39” x 97”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. Left image: Little Fortress 2023. 10” x 30”, tiled photographs on hardboard with epoxy resin. Right image: The Fortress (from Gusty Peak) 2021. 39” x 97”, tiled photographs on hardboard with epoxy resin.

UPHIGH , Canmore Museum, 2024. Left image: The Fortress 2022. 36” x 36”, tiled archival fine art prints, hung with magnets.. Right images: 5×5 Grid , 25 - 12” x 12”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. Left image: The Fortress 2022. 36” x 36”, tiled archival fine art prints, hung with magnets.. Right images: 5×5 Grid, 25 - 12” x 12”, tiled photographs on hardboard with epoxy resin.

UPHIGH , Canmore Museum, 2024. Left image: Mount Athabasca 2024. 2 - 36”x36” tiled photographs on hardboard with epoxy resin. Right image: Mount Wilcox 2024. 10” x 30”, tiled photographs on hardboard with epoxy resin.

UPHIGH, Canmore Museum, 2024. Left image: Mount Athabasca 2024. 2 - 36”x36” tiled photographs on hardboard with epoxy resin. Right image: Mount Wilcox 2024. 10” x 30”, tiled photographs on hardboard with epoxy resin.

This montage was shot the day we took down UPHIGH in early 2025, marking the close of an incredible two-year collaboration with the Canmore Museum team. Showing my work in the heart of the Rockies was a true privilege, and I’m grateful to everyone

This montage was shot the day we took down UPHIGH in early 2025, marking the close of an incredible two-year collaboration with the Canmore Museum team. Showing my work in the heart of the Rockies was a true privilege, and I’m grateful to everyone who made this passion project possible.

East Wall Gallery, MoDA, Calgary, AB. Single Image show 2023: The Fortress (from Gusty Peak) 2021. 39” x 97”, tiled photographs on hardboard with epoxy resin.

East Wall Gallery, MoDA, Calgary, AB. Single Image show 2023: The Fortress (from Gusty Peak) 2021. 39” x 97”, tiled photographs on hardboard with epoxy resin.

Exhibition poster.

Exhibition poster.

Relief: The Making of , documentary by Ryan Armstrong.

Relief: The Making of, documentary by Ryan Armstrong.

Relief: Exhibition Tour at the Bateman Gallery, Victoria. Curated by Erin Hilche, with me guiding the experience.

Relief: Exhibition Tour at the Bateman Gallery, Victoria. Curated by Erin Hilche, with me guiding the experience.

It was a privilege to share my mountain images at the Bateman Gallery in Victoria, BC. Just before my talk, I paused at the window, taking in the harbour and shimmering city lights. A quiet, pivotal moment. I’m deeply grateful to Peter Ord for belie

It was a privilege to share my mountain images at the Bateman Gallery in Victoria, BC. Just before my talk, I paused at the window, taking in the harbour and shimmering city lights. A quiet, pivotal moment. I’m deeply grateful to Peter Ord for believing in this work

I left Calgary with Relief in a cube van, the open road ahead buzzing with thrill and possibility.

Thank you to everyone involved in conceiving, making, delivering, hanging, curating, marketing, and more. There are many of you, and every effort was seen and deeply appreciated.

Thank you to everyone involved in conceiving, making, delivering, hanging, curating, marketing, and more. There are many of you, and every effort was seen and deeply appreciated.

Mount Arethusa , 2021. 36” × 48”, tiled photographs on hardboard with epoxy resin. SOLD – in private collection.

Mount Arethusa, 2021. 36” × 48”, tiled photographs on hardboard with epoxy resin. SOLD – in private collection.

Mount Arethusa , 2021. 36” × 48”, tiled photographs on hardboard with epoxy resin. SOLD – in private collection.

Mount Arethusa, 2021. 36” × 48”, tiled photographs on hardboard with epoxy resin. SOLD – in private collection.

Ryan, Jon, GP and I on the summit of The Fortress, Kananaskis Country. August 2025. Seven peaks in seven days. We were hungry, thirsty, and running on fumes, but the moment felt bigger than our exhaustion. We made it. And yes, we celebrated with piz
Mount Chester, 02 Sep 2022. Sustained slab scrambling, the kind that makes you forget the summit comes at all. Autumn in K-Country: quietly sublime.
A pick-up placement of one of my Cape Town images. Still one of my favorites from my travel assignment days, and a reminder that travel doesn’t just change your scenery, it changes your lens.
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